The Art of the Quest: St. Lucia By Clarinet
Fake Elvis’s rose-colored shades are straight out of an old Starsky & Hutch episode. Behind him, a faded tapestry emblazoned with the real Elvis flaps in the breeze, while the King’s “Welcome to My World,” released in 1977 just months before his death, crackles through cranked boom box speakers. Soon Fake Elvis leans into a stance, then pumps his arms furiously to simulate a drum fill. I couldn’t have predicted my trip …